Resurrection Band – Mommy Don't Love Daddy Anymore (Limited Run Vinyl) 3 Colors, Gatefold Jacket + Band Poster

Resurrection Band – Mommy Don't Love Daddy Anymore (Limited Run Vinyl) 3 Colors, Gatefold Jacket + Band Poster

  • Re-mastered Audiophile Pressing from Original Sources by Rob Colwell
  • Gatefold Jacket Design with Lyrics and Photos
  • Includes Part 2 Liner notes from JJT (True Tunes)  3-Part Write-up across all 3 records
  • Includes Huge 24" x 24" Band Poster
  • First time on See-Thru Glacier Blue with White Splatter Vinyl (125 units)
  • First time on Transparent Purple Vinyl (75 units)
  • Hype Sticker matching Each Colored Vinyl Pressing
  • Limited to just 250 copies world-wide (50 Black)
  • Ships in a Bufferzone Mailer

Resurrection Band back on Vinyl 40 Years later

Resurrection Bands’ Colours (1980), Mommy Don’t Love Daddy Anymore (1981) and D.M.Z. (1982) are 3 of the most iconic Christian rock albums of all time. They have been completed re-mastered and restored from original sources and are now available on vinyl, for the first time in 40 years. Each one comes in high-quality gatefold with historical photos, lyrics and a liner notes, written in 3 parts; one in each release, by none other than John J Thompson (True Tunes). All 3 also include a large 24” x 24” band poster and come in different colors with matching hype stickers. These are truly an elite collectors dream and expected to sell out quickly with only 250 units of each being pressed. 

Vinyl Color Options

Colours is available in crystal clear vinyl with blue, pink and green splatter as well as a transparent royal blue vinyl and of course standard black.

Mommy Don’t Love Daddy Anymore is available in see-thru glacier blue with white splatter, a transparent purple as well as black.

D.M.Z. come in explosive orange/yellow swirl, a transparent red as well as black

Mommy Don't Love Daddy Anymore (1981)

Mommy Don't Love Daddy was Resurrection Band's second release for Christian label Light Records.  

Mommy Don't Love Daddy Anymore offers social commentary (on the American culture of divorce), but it does so on an immediate level, by describing one child's description of his family's dysfunction. Yet as powerful as it is, the songs becomes even more chilling to anyone who learns Glenn Kaiser's life story and realizes how autobiographical this detailed scenario is for him. Elevator Music humorously trashes american materialism In other words don't think for a minute you are getting a rock album without substance.  Truth, pain, grace and pure rock n roll all here.  A gut-full of guitar and gut wrenching pain all wrapped together.  Yes, thats what makes this album so special. The music itself is a masterpiece but when you add the read world complications in story form, especially the way that Glenn and Wendy weave in and out, it becomes one of those albums for a life-time. Which of course is why labeling it an an icon Christian Rock album might be the biggest understatement one could ever make. 


  1. Stark/Spare (Kaiser/Heiss)3:42
  2. Elevator Muzik (Kaiser)1:55
  3. Alienated (Kaiser) 2:02
  4. Can't Get You Outta My Mind (Kaiser) 2:52
  5. The Chair  (Kaiser) 5:06
  6. Can't Do It On My Own  (Kaiser) 2:50


  1. First Degree Apathy (Kaiser) 3:03
  2. Mommy Don't Love Daddy Anymore (Kaiser/Trott) 4:23
  3. The Crossing (Kaiser/Trott) 3:48
  4. Little Children (Kaiser) 2:36
  5. Lovin' You (Kaiser) 3:29


  • Glenn Kaiser – Vocals, Guitars
  • Wendi Kaiser – Vocals
  • Stu Heiss – Guitars, Keyboards
  • Jim Denton – Fretless bass Guitar, Synth
  • John Herrin – Drums
  • Resurrection Band/Roger Heiss – Producer
  • Phil Bonanno – Engineer
  • Phil, Roger and The Band – Mix-down
  • JPUSA Graphics – Album Cover Concept
  • Janet Cameron – Outside Cover Art

Resurrection Band History

Forming in the early 70’s under the name “Charity” as part of a Christian community in Milwaukee, the band featured husband and wife lead singer, Glenn and Wendi Kaiser. After a move to Chicago and a change of name to “Resurrection Band” the group released a now rare cassette of demos called “Music to Raise the Dead.” That tape would actually contain a long time live favorite “Quite Enough” that would not be officially recorded and released until their live album, “Bootleg” more than a decade later.

In 1974 the band recorded their Music To Raise The Dead cassette on a 4-track recorder using headphones in a basement.  It pure Led Zeppelin sounding with some amazing blues and rock, fuzz guitar and now-vintage amps.  It would be the start of 15 full length albums, the best darn festival ever (Cornerstone) and a load a Glenn Kaiser solo albums to come later.

In 1978 the band was signed to the Star Song label that also includes Petra as an artist. It seemed like it would be a great fit as it was hoped that those at Star Song would understand the aggressive ministry, music and message of the band. But that relationship would only last for two albums before moving to Light Records for their next 3 releases, Colors, Mommy Don't Love Daddy Anymore and D.M.Z before moving to Sparrow in 1984. At that point the band name was shortened to REZ or REZ Band for their remaining albums.


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